Mover Organ

One of the most comprehensive accounts to date, Noise of the World is the authentic story of a burgeoning world music scene, as told by its most seminal artists. Drawing on 20 years of original interviews, music journalist Hank Bordowitz presents the fascinating commentary of world music's most pivotal figures - performers such as Youssou N'dour, Ravi Shankar, Ofra Haza, the Gipsy Kings, Miriam Makeba, the Bulgarian Women's Choir, and dozens of others. Organized by geographic region, these interviews relate the histories and observations of the biggest movers and shakers in world music, many of whom helped to establish and influence a dizzying array of international styles including reggae, ska, calypso, flamenco, salsa, rumba, klezmer, mbaqanga, Afropop, Zulu jive, modern folk choral, raga, and more.

Modernism developed out of a bewildering array of movements and theories ranging from Cubism to Constructivism, abstraction to atonality. Starting out more as an attitude of mind than a conscious style, Modernism was a response to the need for the new and the different which was felt in the early twentieth century by intellectuals and artists throughout Europe. It became a phenomenon which was familiar to many but remained the preserve of the few, with such giants as Le Corbusier, Mies van der Rohe and Walter Gropius standing out as prime movers, and much activity centred around the Bauhaus as a focus of ideas in the 1920s. The turning-point came in 1932 when it was christened 'The International Style' at an exhibition held at the Museum of Modern Art in New York. Organized by Henry-Russell Hitchcock and Philip Johnson, this show changed the view of Modernist design and architecture forever, leading after the Second World War to its adoption as an almost universal style. Favoured initially by large corporations, it spread to speculative office and apartment blocks and appeared throughout the world from Tokyo to Rio de Janeiro. In the 1970s, however, the mood changed. Modernism's claims to authority came to be seen as suspect and by the 1980s the ideas of deconstruction and Postmodernism occupied centre stage and dominated new design. Today, however, Modernism is once again being reassessed and a neo-modernist trend is well underway. Until now, no book has examined the story of Modernism from its roots in the nineteenth century to the close of the twentieth century. This book shows for the first time how Modernist ideas were expressed in the visual arts, design, interiors, architectureand the decorative arts. It not only presents the outstanding movement in architecture and design of our century but also offers a genuine insight into how it came about.

Reed organ - A reed organ, also called parlor organ, pump organ, cabinet organ, cottage organ, is an organ that generates its sounds using free metal reeds. So as for the generation of its tones, a reed organ is similar to an accordion, but not in its installation, as an accordion is held in both hands whereas a reed organ is usually positioned on the floor in a wooden casing (which might make it mistakable for a piano at the very first glimpse).

Organ tablature - Organ tablature is a form of musical notation used by the north German Baroque organ school, although there are also forms of organ tablature from other countries such as Italy, Spain, and England. Portions of Johann Sebastian Bach's Orgelbüchlein are written in tablature, as are a great deal of the surviving manuscripts of the organ works of Dieterich Buxtehude and other north German organ composers of the Baroque era.

Organ repertoire - Because the organ is one of the oldest musical instruments in existence, written organ repertoire spans a time period almost as long as that of written music itself. Because the organ was found almost exclusively in Catholic and Protestant churches from the Middle Ages through the middle of the Romantic era, a significant portion of organ repertoire in this time period is sacred in nature.

Hammond organ - The Hammond organ is an electric organ which was designed and built by Laurens Hammond in April 1935. While the Hammond organ was originally sold to churches as a low-cost alternative to the pipe organ, it came to be used for jazz, blues, and to a lesser extent rock music (in the 1960s and 1970s) and gospel music.

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